Mary Katrantzou at London fashion week

This show was a work of art. Inspired by the highly stylized 70s photography of Helmut Newton and Guy Bourdin, where the interiors became as important as the models Photograph: Richard Chegwidden Katrantzou said: "With this collection, I wanted to put the room on the woman, rather than the woman in the room". Photograph: Richard Chegwidden Each garment was a masterpiece; the prints lifted from old copies of Architectural Digest and World of Interiors. Katrantzou created the illusion of depth with her prints, drawing the viewer into the rooms Photograph: Richard Chegwidden Delicate print silk blouses were tucked into structured mini-crinis imitating lampshades, while dresses with prints of windowframes had chiffon fluttering like curtains from them Photograph: Richard Chegwidden As individual pieces they were the most desirable clothes Photograph: Richard Chegwidden A makeup artist plies his trade Photograph: Richard Chegwidden A model takes to the runway, the disused platform of Waterloo International. Photograph: Richard Chegwidden Models take their turn Photograph: Richard Chegwidden This structured number caught another photographer's eye, if not his lens Photograph: Richard Chegwidden Models make their way down the platform Photograph: Richard Chegwidden A closer look at the exquisite detail on Mary Katrantzou's works Photograph: Richard Chegwidden The models turn to face their public Photograph: Richard Chegwidden Models filter backstage after the show Photograph: Richard Chegwidden One last twirl for the cameras Photograph: Richard Chegwidden The final running order for the show Photograph: Richard Chegwidden